n the decade-plus since her last album, Missy Elliott has been trapped in a cycle of returns and retreats. Albums have been teased, then coming soon, then renamed, and later scrapped. Singles have been released and choreographed but then left at sea, never followed-up or built upon. Though Missy has remained an active producer, songwriter, and guest artist, it’s hard not to think of those efforts as busywork. When she rapped, “Thought I fell off, I ain’t quite finished,” on 2012’s single “9th Inning,” it felt like a Freudian slip more than a threat. Released the weekend before her receipt of the VMAs’ Michael Jackson Video Vanguard award, Iconology confirms what’s long been implied by these recurring starts and stops: Missy Elliott is no

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